Постинг
18.02.2011 10:26 -
The divine origin in Magura paintings
Автор: kikowskyeng
Категория: Други
Прочетен: 827 Коментари: 0 Гласове:
Последна промяна: 18.02.2011 12:35
Прочетен: 827 Коментари: 0 Гласове:
2
Последна промяна: 18.02.2011 12:35
The paintings from Magura have a feature that fills me with respect to the mind that created them. They are not numerous repetitions of the same thing, but totally contrary - there are not two uniform painting. At the same time the symbols are similar. The careful look reveals that every single figure has at least one, or in other cases more than one figures, from which it originates through combinations and/or modifications.
The outmost part of the paintings gallery holds the most realistic images - of people, animals and life scenes. Getting deeper into the gallery the paintings become more abstract and symbolic.
The search for the origins of every single figure leads to the conclusion that all the figures have three initial origins. This posting is about the Divine one. It is the design, the idea, the conception, the inside structure.
The two pictures above show beings (their number is three), sitting in yoga-like postures. Out of any doubt, this is an evidence of highly developoed intelligence and spirituality and also for the concentration on the realization of a goal. These beings are painted in the bottom of the gallery, from where you can only start but can not continue - this is the beginning. A string leads out of the head of every being and connects it to some object, placed high over them. These objects are diamond-shaped and are more horizontal than vertical. The string may be the conection to the skies which reveals their origin - heavenly. So, they could be aliens. Bu they could also be samadhi and the strings could be the silver threads that connect their bodies with their souls. It this case their souls reside in heaven being connected to the divine. This speculation is supported by a picture of an asura that I made in the Cave. Or these paintings could show angels, sent by God to start a beginning. In any case these three figures are the intellectual, ideal, spiritual origin of all the paintings in the cave.
Note well that their bodies are oval and are connected to the Earth through sitting on it and that they all have elongated connection to the heavenly object over them. These features are transmitted into a hwole group of shematic figures that also mean the Moon in its phases.
It is obvious that all of them possess T-shaped part that means the connection to the divine. I suppose that this is the origin of Tao, Tau and Teo (in Western culture Theo - Theology). Some of the paintings represent T with small figures under it - supposedly some kind of prayers to the gods. The conclusion is that T is the divine sylmbols and also mens the connection to the divine.
The circle represents the place - it might be a storage, accumulator, space - in which things take place - the divine "signal" is "processed" inside there. Thus, for example, the division into two parts is a kind of categorization - "good and evil", "light and darkness", "skies and waters" and so on.
These symbols are subsecuently combined with others that originate from the other two origins and thus reveal the entire proces of creation and especially the creation of mankind. I think that the three figures and their derivatives are the words "Let there be light".
Some of the derivative figures are veri similar to the bulgarian letters Ф (f) and Б (b). In the same time they represent the Moon and one of its names in Feba.
Bulgarian/Български
The outmost part of the paintings gallery holds the most realistic images - of people, animals and life scenes. Getting deeper into the gallery the paintings become more abstract and symbolic.
The search for the origins of every single figure leads to the conclusion that all the figures have three initial origins. This posting is about the Divine one. It is the design, the idea, the conception, the inside structure.
The two pictures above show beings (their number is three), sitting in yoga-like postures. Out of any doubt, this is an evidence of highly developoed intelligence and spirituality and also for the concentration on the realization of a goal. These beings are painted in the bottom of the gallery, from where you can only start but can not continue - this is the beginning. A string leads out of the head of every being and connects it to some object, placed high over them. These objects are diamond-shaped and are more horizontal than vertical. The string may be the conection to the skies which reveals their origin - heavenly. So, they could be aliens. Bu they could also be samadhi and the strings could be the silver threads that connect their bodies with their souls. It this case their souls reside in heaven being connected to the divine. This speculation is supported by a picture of an asura that I made in the Cave. Or these paintings could show angels, sent by God to start a beginning. In any case these three figures are the intellectual, ideal, spiritual origin of all the paintings in the cave.
Note well that their bodies are oval and are connected to the Earth through sitting on it and that they all have elongated connection to the heavenly object over them. These features are transmitted into a hwole group of shematic figures that also mean the Moon in its phases.
It is obvious that all of them possess T-shaped part that means the connection to the divine. I suppose that this is the origin of Tao, Tau and Teo (in Western culture Theo - Theology). Some of the paintings represent T with small figures under it - supposedly some kind of prayers to the gods. The conclusion is that T is the divine sylmbols and also mens the connection to the divine.The circle represents the place - it might be a storage, accumulator, space - in which things take place - the divine "signal" is "processed" inside there. Thus, for example, the division into two parts is a kind of categorization - "good and evil", "light and darkness", "skies and waters" and so on.
These symbols are subsecuently combined with others that originate from the other two origins and thus reveal the entire proces of creation and especially the creation of mankind. I think that the three figures and their derivatives are the words "Let there be light".
Some of the derivative figures are veri similar to the bulgarian letters Ф (f) and Б (b). In the same time they represent the Moon and one of its names in Feba.
Bulgarian/Български
Следващ постинг
Предишен постинг
Няма коментари
Търсене
За този блог
Гласове: 20
